BEAST MODE

Those dearest to me understand that even in moments of quietude, I find solace in the harmonies of music, weaving sincerity into the fabric of my unyielding thoughts. The raw power of artists like David Banner or DaBaby often emboldens me to disregard unwelcome intrusions, while the timeless elegance of Ella Fitzgerald's melodies paints an allegorical canvas of my resilient spirit. This intimate circle also bears witness to my passion for dance. While I may not excel in the art of twerking, the echoes of my early piano lessons resonate in a profound appreciation for ballet.

 

The arabesque position stands as a cornerstone in the lexicon of classical ballet. With poise and grace, the dancer balances on one leg—the supporting leg—while the other leg—the working leg—extends into the air, forming a perpendicular line. Variations in the elevation of the working leg give rise to distinct forms: arabesque à demi hauteur, where the working leg reaches a 45º angle, and arabesque à la hauteur, where it extends to a 90º angle. Beyond this, when the working leg surpasses the 90º angle, the body's trunk leans forward to counterbalance, creating the arabesque penchée.

 

What captivates me most about the arabesque is the depth of dedication, energy, passion, and resilience required to master a pose that exudes such flawless beauty. Its elegance and grace serve as a as a gild to the human frontal cortex. Stretching across dimensions, the arabesque commands attention effortlessly, dominating physical strength, mental fortitude, and beauty. Yet, the passion of the process underlying such perfection may elude the casual observer. It's this transformative journey that I refer to as Beast Mode, an epitaph to the inner strength unleashed in pursuit of mastery.